Attach the other end of each jack cable to its relevant socket on each pad.Locate the loom of jack cables that runs through the frame, and attach each labelled plug to its matching socket on the TD30 sound module. ![]() Attach the TD30 sound module to the left-most mounting point on the frame (see above image).Attach a standard kick pedal to the free-standing kick-drum pad.Set up the hi-hat stand as you would with real cymbals, attaching the bottom pad to the stand and the top pad to the clamp.Attach the pads to the appropriate mounts - if you haven't set up an acoustic drum kit before, you might want to enlist some help. ![]() First unfold the frame into a rough semi-circle around the drum-stool, ensuring that every mounting arm can be reached from the central seating position.Further information about these settings can be found in the ROLI Dashboard Manual. A lesser setting will auto-correct pitch, pulling notes towards the nearest semitone at a rate controllable by the fader position, and at its minimum setting, sideways movements will not bend pitch. For example, with the Glide curve at its maximum the keywave surface is maximally sensitive to sideways movements, and even minute movements will bend pitch like vibrato on a string instrument. Changing these parameters affect each 'dimension' differently, so some experimentation is recommended, but generally speaking the higher the parameter setting, the more expressive the instrument becomes. The middle panel allows you to customise the dynamic response for each 'dimension of touch'. The upper panel of the software window is a visualiser grid, which displays touch location and pressure data. You will need to configure the RISE before use and if the instrument does not function as expected, ROLI Dashboard is the first place to troubleshoot. ROLI Dashboard is a stand-alone application that allows you to modify and customise the settings of the Seaboard Rise. This allows, for example, individual headphone mixes to be created for a group of recording musicians, though this does require some complex hardware/software routing. It is also possible to connect individual inputs to each of the four channels by connecting a 1/4" TRS Jack to the Aux In. ![]() Thus without any need for patching, the Behringer Powerplay Pro-XL amplifies the signal it receives from the Mackie Big Knob, and outputs the amplified signal to jack sockets 1-8 in the recording booth.Ĭontrols mounted on the front panel allow the user to set the input and output gain, as well as muting the left / right channels, and adjusting the EQ. The eight outputs are accessible individually via the patch bay and have normalled connections to 'Booth Jacks' 1-8. The stereo input is accessible via the patch bay its normalled connection is the 'Phones Out' output on the Mackie Big Knob. In its current configuration a stereo input is routed to all four channels, the outputs of which are duplicated, allowing the user to connect up to eight pairs of headphones (controllable in pairs). The Behringer Powerplay Pro-XL is a 4-Channel Headphone Amplifier.
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